2022 KC/MI Wander, Day 14: winding down

 

This is Part 12 of the blog post documenting my epic wandering around the middle part of the country. You really should read them in order. To that end, here's a link to Part One. At the bottom of each post, click the link for "Newer Post" at the bottom. And here is a link to ALL the pictures I took on this trip. Viewing them will require that you scroll through God knows how many pictures of parts of old cars, so you might want to just skip that altogether.

 So I guess I didn't need to spend all that time at the Gilmore complex of car museums: on Labor Day Weekend, all of Michigan is a car show. There were several in the parking lot of my hotel last night, and today I saw at least 40 old cars on the road, including a rare 1927 Alfa Romeo. 

It's just not the same, though. You don't get the chance to really look them over when they zip past you on the highway.

All I did today was drive, from Cadillac, to Clare, then up to Petosky and through the Tunnel of Trees. It wasn't looking good when I left the hotel: 48 degrees and cloudy; but by the time I got to the scenic drive along Lake Michigan, it was clear and around 70. So, perfect. 

Of course, last night I'd carefully re-routed the Google Maps instructions to keep me on the shoreline -- it kept trying to take me on a direct route, which would have been a bore -- before sending it to my phone. Then, today, it had apparently decided that I didn't want to waste all that time driving a scenic route when there's a perfectly good road from Point A direct to Point B. So for the entire trip I kept hearing "In a quarter-mile, make a right." Until I lost the GPS signal. And then I hit the spot where the road was closed and I had to go back to one of those ignored right turns.

remains of a 1905 shipwreck

I saw a couple of lighthouses and a shipwreck, and that's about it. There were some Adirondack chairs set out by the first lighthouse, so I took that opportunity for a five-minute nap. Very refreshing.

I've been to 15 of the 20 counties I needed in Michigan; tomorrow I'll get those last five and then start for home. I have, I see, about a dozen car museums on the return trip. I can guarantee I will not be stopping at those places (with one possible exception). There's a glass museum on the route, too, but at this point, who cares? I wanna go home. So I expect I will finish my Michigan county-counting before noon tomorrow, then get on the freeway and start home. I'll be stopping at a supermarket in Ohio to stock up on moonshine, and if it can be arranged I'll be stopping at the British Transportation Museum in Dayton; and other than that I will be driving as far as my little roller skate will carry me tomorrow.

Oh, and two things I've forgotten. First, the most interesting photo I took at the Gilmore Museum Complex:

1957 Isetta and 1960 Lincoln

And the other thing is about the price of gas, since a few people have wondered about it. I use premium gas in the Jag, and while I know what I've paid, I don't know what it is at stations where I didn't stop, since they don't advertise premium's price; just regular. When I left San Antonio regular gas was going for about $3.59/gallon. In North Texas it was about ten cents less, and in Oklahoma and Kansas about another ten cents a gallon less. In fact, the price kept going down as the trip progressed, until I hit Illinois. In Sabula, Iowa, on the Mississippi River, regular gas was $3.24 a gallon; four miles away, in Savanna, Illinois, it was $3.90. When I bought gas in Illinois the next day, around Dixon, regular was $3.59. (Premium seems to run about 70 cents a gallon more, consistently.) Interestingly, in Michigan, it has varied from $3.59 in the southern part, around Kalamazoo, to $3.89 in the more remote areas up north. But I chanced on a station somewhere east of Cadillac, a BP station, that sold it for $3.29; my premium gas there was less than the regular gas at the station before, or the station after. Don't know why. Of course, my last fill up this evening was at $4.70/gallon, but then the next station I passed had it for $4.39. I don't know if prices back home have come down since I left, but I hope so.

2022 KC/MI Wander, Day 13: Into the Wild

 

This is Part 11 of the blog post documenting my epic wandering around the middle part of the country. You really should read them in order. To that end, here's a link to Part One. At the bottom of each post, click the link for "Newer Post" at the bottom. And here is a link to ALL the pictures I took on this trip. Viewing them will require that you scroll through God knows how many pictures of parts of old cars, so you might want to just skip that altogether.

 Sojourner Truth, it turns out, lived the last 20-plus years of her life in Battle Creek, Michigan; so before I went back out to the Gilmore Museum this morning, I stopped downtown to see her monument. It's a twelve-foot-tall statue of her preaching, which she did a lot of, in a small park near the City Hall.

That's pretty much the only point of interest in the city of Battle Creek. Well, there's a Historical Bridge somewhere on the east side of town, and an arboretum, but I wasn't willing to make time for either of those things. I suppose if I ever come back here with my wife, I'll have to go to the arboretum, and maybe I'll go see the bridge, too. But there were cars to see, lots of 'em, so back up to Hickory Corners.

I did, as expected, go back to the Model A Museum, mainly to get a picture of the Model A Town Car, marketed to women "of a certain position in society" who didn't give a shit about what people thought. And to those who insist on being dropped off right in front of places where a bigger limo won't fit. You would have to really not care about the opinion of others to be seen being driven around by a chauffeur in that little limo. That's kind of like taking a sack lunch to Maxim's.

I started today where I'd left of yesterday, and finished photographing the newer Lincolns. 

You know what, I'm going to just be brief. I spent 6 hours today, walking around the immense grounds of the Gilmore museum complex; I went to the Lincoln Museum, the Model A Museum, the Cadillac-LaSalle Museum, the Steam Room (horseless carriages, mostly), the something-or-other Barn, the Classic Car Club of America Museum ("full classics," meaning cars for snobs from a long time ago -- according to them, there have been no classics made since 1948), the Pierce-Arrow Museum, and a couple of others that I don't remember the name of. I saw cars. Hundreds and hundreds of cars. I took hundreds and hundreds of pictures, most of which I'm disappointed with because of the lighting in all those buildings, but some are good. Look in my picture album from this trip if it interests you. At this point, at 11PM in a motel room in Cadillac, Michigan, where it's 48 degrees and I'm ready for bed, I'm not going to elaborate. I loved it. I'm glad I went there, I'm glad I went back, and I'm glad I'm done with it and now I'm going to wander around the Lower Peninsula of Michigan and then head home. 

1948 Jaguar 3.5 Litre coupe

(I will say that there was one Jaguar car the CCCA calls a "full classic," the 1948 3.5 Litre. I can think of two later ones: the 1949 XK-120 and the 1961 E-Type. Oh, and the Mark X, but I don't recall what year that came out. In the '60s, I believe. Hell, if they can call the 1949 Cadillac a "full classic," then anything can be a "full classic.")

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2022 KC/MI Wander: Day 12

This is Part 10 of the blog post documenting my epic wandering around the middle part of the country. You really should read them in order. To that end, here's a link to Part One. At the bottom of each post, click the link for "Newer Post" at the bottom. And here is a link to ALL the pictures I took on this trip. Viewing them will require that you scroll through God knows how many pictures of parts of old cars, so you might want to just skip that altogether.

So, I'm in the Eastern time zone now. My phone knows that automatically; my computer and my car don't know it at all. I haven't told them. Me, I'm somewhere in between: I know it, but sometimes I forget. Like this morning, when I was planning my day after a frustrating evening of not having usable wi-fi, and a poor night's sleep. I thought long and hard about going to the Air Zoo before heading out to the car museums in Hickory Corners, but after full consideration decided that the Air Zoo would be a zoo on a Saturday morning. It sounds like fun for young and old, but in my experience that means a lot of standing around watching kids have fun and wishing they weren't there. I mean, it's not like they're my kids. And I'm sure they're all badly behaved.

So I decided to pass on the Air Zoo. I figured I'd just run by the local university campus to see a statue in front of the stadium called The Committee, and then up to the museums, which open at 9AM. I finished the frustrating task of checking through yesterday's pictures, and captioning them, and then I finished writing Part 9 of this blog. I posted it, and got to the car just a little later than I'd planned. I'd figured that 8:30 would be a good time to leave this morning, and when I shut down the computer it said 8:45. Close enough.

Except, of course, that that was 8:45 Central, and as I mentioned, I'm now in Eastern time. Oh, well, not really much I could have done about it. I couldn't have finished the post any faster, though I could have skipped the hotel breakfast, and gotten a big cup of coffee on the way instead of three little cups, one at a time. That would have saved me three or four minutes.

So I drove over to the university. Statue's not there by the stadium. I checked the listing again and confirmed its reported location. Asked three people who seemed familiar with the campus. None of them knew what statue I was talking about. Didn't really care that much, so I blew it off and went up to Hickory Corners, which is, I guess you'd say, a village northeast of Kalamazoo, northwest of Battle Creek. (I moved to a hotel in Battle Creek because the one I was in last night was such a dump; this one's a noticeably better class of dump.) (No, that's not fair. This one's actually OK so far; what you'd expect of a 2-star hotel.)

I went to Hickory Corners thinking there were five separate car museums (Gilmore, Lincoln, Franklin, Cadillac and Classics), all on the same campus. Turns out that's a little understated. There are those five ... plus the Pierce-Arrow Museum and the Model A Museum and the Campania Barn, a museum of cars from the 1920s, 1930s and 1940s. And a bunch of other things. Motorcycles. Pedal cars. Carriages. Steam cars.

So if you're not interested in my extended musings on car styling and such, you might as well just skip the rest of this blog post, because I stayed at the museum until my phone's battery gave out from all the pictures, and I traded my museum ticket for a two-day pass, because I'm going back tomorrow to see the rest of it. 

And that, by the way, will pretty much be it for car museums on this trip. I'm actually glad of that. I'm looking forward to getting in the car tomorrow afternoon and just driving up and down the state of Michigan, not having the least concern about whether someplace is going to be open when I get there or not. All I've got to do is pick a road at every intersection and eventually end up in San Antonio. The weather has been glorious since Oklahoma; I've felt not a drop of rain nor any temperature above 87 degrees. I could live like this.

just for context

The first gallery in the Gilmore was a special exhibit of Corvettes. Having just been to a Corvette museum in Texas, I got through that one quickly: a couple of wide shots for context, plus one picture of an interesting variation, the Bubble Top Corvette. (The bubble top was an after-market product usable on Corvettes with removable hardtops. It looks as silly as it sounds, unless you still think the Jetson's vehicle is cool.)

(And, once again, let me apologise for the quality of the pictures I took today, & probably for the ones I'm going to take tomorrow. The spotlighting in the Gilmore and its associated museums is not really conducive to quality photographs. Might as well park the cars next to a big window.)

1934 Auburn V-12 line-up

The next gallery might be one of my favourites of the ones I saw today. Or any day. First thing I saw when I walked in was a stunning Duesenburg J-111 phaeton, royal blue and black. I took several pictures of it before I noticed that, just across the aisle from it, were five 1934 Auburn V-12s, all painted in the same understated grey and black colours. The cars were identical from the front bumper to the windshield, but represented all five available models: speedster, brougham, phaeton, sedan and cabriolet. (If you're wondering what those names mean, compare the roof lines on those five cars.) I've never seen such a line-up of cars before. All five are on loan to the museum by a local couple. I have to wonder what's left in their garage.

I spent a lot of time going back and forth among those five cars, but eventually forced myself to move on. That entire gallery shows cars from that era, and almost all of them are fabulous, but after the Duesenburg and the five Auburns ... and the Packard 12, of course, and the Chrysler Royal, and the Chrysler LeBaron Imperial, and one of the two Rolls Royces (built in America, mind you) (the other, a Phantom I Torpedo, being so ugly I didn't even bother to photograph it; can you imagine?), and the '37 Cadillac Imperial convertible.... Well, the other cars just seemed kind of ordinary. A '34 De Soto Airflow; saw one the other day. Essex Terraplane; big deal. Packard Custom 8? Saw it in Salt Lake City.

So ordinary... 1951 Studebaker

Next up: cars from the '50s & '60s. When I was very young, I used to see cars like these on the streets all the time. Mostly in poorer neighbourhoods, because by the time I was old enough to identify a car, these were almost all old rattletraps and junkers. Cars didn't last as long back then. But of course the examples on show in the museum have been cleaned up some. The gallery's display starts with the basic Chevy starter car, then moves on to slightly more upscale cars. There were a couple of Mercuries -- a Montclair and the top-of-the-line Turnpike Cruiser -- and a whole lot of other cars that I didn't photograph because, by then, my battery was running down and ... well, I'd seen 'em. Just for spite they threw in the 1963 Chrysler Turbine, a research model that was too expensive to actually mass-produce, but one that's so famous I've probably seen a thousand pictures of it. Now I've seen the actual car. And the room finishes with one of my absolute favourite cars of all, a 1963 Buick Riviera. I want one.

Just off to the side of that gallery is the Muscle Car Gallery. I went in there expecting not to take any pictures because, as I said, my battery was running down, and muscle cars are standard displays in every car museum. I figured it'd just be more of the same, having been to so many car museums in the last two weeks. And I was right: a bunch of 'Cudas and GTOs, some Mustangs, Camaros, Dodge Coronets souped up and stamped with Super-Bee logos ... yeah, yeah, seen that. I did take a picture of one muscle car, a '68 Mercury Cyclone GT, just because I'd never seen one. Everyone I knew that had that kind of car had the Ford Torino version, which as far as I can see is identical. 

And then there was this:

The Perfect Driveway

I want one of each. Except I want them in black.

I moved on to the next museum, the Franklin Museum. I had never realised, somehow, that Franklins were air-cooled; I just always thought they were funny-looking. They didn't need a big radiator and all the machinery that pushes coolant around the engine. They were a little more expensive to build, consequently more expensive to buy, but they were excellent cars, especially if you lived in the Southwest, where cars tended to overheat. Franklins never overheat where there's air. 

(I'm reminded of my first trip to San Diego on Interstate 8, where the shoulder of the highway is lined with big tubs of water for radiators. And my first trip through Death Valley, in 1999, and all the cautions we heard about going back up to sea level: Watch your guage! Open the windows! Turn off the air conditioner! Pull over!)

So anyway; Franklins were always different looking. Odd. Owners were sensitive to the teasing they got, especially if they had one of the models that tended towards ugly. Dealers complained that the weird-looking styling of the front ends affected sales. They were probably right. But Franklin's head guy refused to abandon his form-follows-function philosophy, until he did, in 1925, when the new Franklins were suddenly adorned with a front end that looked like every other car on the road.

1928 Lincoln convertible sedan

After Franklin, Lincoln. The Lincoln Motor Company was started by Henry Leland, the same guy who started Cadillac more than ten years before. After a rough couple of years, it went belly-up and was bought in a foreclosure sale by Henry Ford. Ford gave it to his boy Edsel to run. The two Henry's had some history together: Henry L had been instrumental in forcing Henry F out of his first car company; now the shoe was on the other foot. It wasn't long before Henry F forced Henry L out of Lincoln. Edsel seemed to have a knack for the luxury car business, and within a decade Lincoln was playing with the Big Boys.

Lincolns had a rep for quality engineering, and Edsel had a good sense of what the luxury-car-buying public wanted. He was responsible for the Lincoln Zephyr, a very successful and stylistically bold line, and then the Continental, which started out elegant, then got even more elegant, then got ... well, maybe not ugly, exactly, but odd; and back and forth in a pattern that seems still ongoing. Of course, Edsel died somewhere in there, so he's only responsible for that first (elegant) Continental. 

At that point in my day, my phone's battery was on its last legs. I did go over to the Model A Museum, because I knew I wouldn't want to take any pictures there ... except I did, and will probably go back with a full battery tomorrow to do that.

2022 KC/MI Wander: Day 11

This is Part 9 of the blog post documenting my epic wandering around the middle part of the country. You really should read them in order. To that end, here's a link to Part One. At the bottom of each post, click the link for "Newer Post" at the bottom. And here is a link to ALL the pictures I took on this trip. Viewing them will require that you scroll through God knows how many pictures of parts of old cars, so you might want to just skip that altogether.

Technology. Grrr.

This is what my GPS, Google Maps, did this morning: I had carefully marked out a series of seven stops, being mindful of the opening hours of the ones that mattered to me. Since the first of those didn't open until 10:30 (turned out it was actually 10:00, but never mind), I laid on a couple of timewasting stops exploring two historical districts along the way. So I'm driving. I pass an interesting looking Romanesque Revival building off to my left, and I think, hmmm, you'd think that would be in a historical district. But Google Maps took me right past it, and on down the highway until I got to the La Porte County Historical Society Museum. 

I took that opportunity to put the top down; I don't know why I hadn't done that already. It was a pretty day.

So I told Google Maps to "continue" -- go to the next destination. Obviously, I thought, I had mistaken the Historical Society Museum for a Historical District, or the web site I was consulting had. So: back on the road, and I'm driving, and I'm driving, and I'm turning this way and I'm turning that way, and then I pass a sign saying that I was leaving La Porte County. That's when I pulled over, because I knew that my first three scheduled stops were in La Porte County. I checked the email I'd sent myself with the route, and they were all listed there. I pulled it up anew on Google Maps and found that it had skipped the first two entirely, obviously thinking that I didn't really want to see those ol' historical districts; and the museum it took me to? That's where the Kelsing Automobile Collection is housed. And now I was halfway to South Bend.

That's what Google Maps did for me.

I got back to the first planned stop, where that Romanesque building was, and wandered around downtown La Porte, looking at the old buildings and seeing what there is to see. (Not a lot: buildings from the 1890s are pretty much the same everywhere; rare enough to evoke nostalgia but common enough to be disregarded.) Then I went to the Kesling Collection. (And just to gild the lily, Google Maps couldn't find it this time -- it directed me to a soybean field half a mile up the road and around the corner. If I hadn't already been there this morning, I might never have found it.)

Now, since then I haven't had an unexplained problem with it. I've used it for the rest of the day and it's done fine.

La Porte County Historical Society Museum

Dr Peter Kelsing built the building the museum is in to use as a car museum. But things change, and about 20 years ago he sold the building to the Historical Society, but a condition of the deal is that they would keep his 30-some-odd cars and various related items on display. The museum is three stories, and is absolutely crammed with stuff, including the good doctor's cars, and his airplane, and his snowmobile, and anything else he considers museum-worthy. He seems to have good judgment on that point, and indeed the rest of the museum display, despite being "just a local county museum" has plenty of stuff interesting to tourists from distant lands, like me. Not that I took the time to seriously browse through the non-car stuff in detail, but I did note that it is not just Mary Louise Jones's dress that she made for her cousin Adelie's second child's baptism. (Don't laugh; I've seen stuff like that in county museums.) 

 Daimler: a Jag in full dress

But back to the cars: They are mostly American made, of course, but ol' Doc Kesling apparently splashed some cash in foreign markets as well, on occasion. There's a Daimler from the 1960s, for example, and a couple of pre-War Citroens; a 1967 Amphicar (which might have been bought in this country; they were sold here, briefly); a 1950 Austin sedan; a '48 MG TC; and a bright red 1938 Mercedes Benz. There are, of course, many cars that you would see in any ol' car museum: the classics of automotive display. Duesenburg, Cord, Auburn and (naturally, being in Indiana) Studebaker are all represented. And the Model T's and T-birds and a few others that, pretty though they are, are the auto-museum equivalent of canned corn at the supermarket: if they didn't have it, you'd think less of the place, even though you're not there to get canned corn.

There are plenty of interesting cars on display, besides the foreign makes I mentioned. A 1903 Duryea; a 1903 Winton (in which Dr Kesling and his wife duplicated the vehicle's feat of driving from San Francisco to New York -- and it only took 40 days, compared to the 66 days it took in 1903). There's a 1931 American Austin, a 1960 Metropolitan, and a 1948 Playboy (which inspired the magazine's name). At five bucks to get in ($4 for me, because I've been 49 for so many years), the Kesling Collection is a bargain, and you get to see all that other stuff as well. I only budgeted an hour to see it, but actually spent a bit longer than that, and could easily have stayed for half a day.

From there I went to the National Studebaker Museum in South Bend (covering much of the same ground as before). It shares a building with the South Bend Historical Museum, which may be another fascinating place, but the two are at opposite ends of the building and there's a separate fee for the other museum. So I don't know. I was just there for the cars.

Studebaker started as wagon makers in the mid-19th Century, before the Civil War. Around 1900, one of the board members advocated building motorcars. He was outvoted and they stuck with wagons, but a couple of years later they came around to his way of thinking. The museum, which covers three floors, has its display arranged in chronological groups, and includes wagons, defense production and a bit about the Studebaker family. The basement is given over to something called "Visible Vehicle Storage," cars that are maybe not in good enough condition for a first-class museum, but are still part of the collection. 

Studebaker Hawk

Up until World War II, Studebakers looked pretty much like any other car on the road. They had a full line of vehicles, any of which could easily be mistaken for a Ford or a Chevy or a Buick. But after the war, Studebaker started to diverge in looks from other carmakers' products. They were the first company to completely re-design their vehicles, where the others simply updated pre-war designs. Studebaker made the distinctive 1948 Champion and then the 1952 Commander, which evolved stylistically into the Hawk line of cars for which the company is best remembered. They were longer and lower and the fastest cars on the road, though their slightly avant garde lines, with a vaguely European feel to them, weren't for everyone. As the 1960s approached, Studebaker was flailing, financially, and new designs like the Lark and the Avanti weren't enough to save the company; nor were mergers with other failing car companies like Packard. Studebaker ceased US production in 1963, and Canadian production in 1966. The last vehicles made in both factories are on the floor of the museum.

The last Studebaker made

Well. A hundred and twelve years, that's a pretty good run. I'm sure I won't go as long. My shareholders would never allow it.

From South Bend, I drove up into Michigan, to a glass studio in Benton Harbor that I'd been told about by someone at another glass studio. It was a small place, and near the end of the day pretty much deserted. But the woman working there gave me a quick tour and told me about their educational program for local high-school students. It was about what I'd expected but not what I'd hoped for. There were a few very attractive but very expensive grey vases done by one of the instructors, and some interesting student pieces. I went on to Kalamazoo, to the "big" studio downtown, which was just starting its monthly Art Hop. The glass on offer there was even more of a disappointment. There was a pretty blue and white set of sushi dishes -- a place setting for one -- but there was only the one, so I passed on it. Everything else was kitschy.

I apologise for how long it's take to put this post up; I know everyone is getting worried, waiting for this to drop. I'm sure social media is burning up with people asking when it will happen. I'm just guessing about that, of course: I'm not on social media. But the wi-fi at the crappy hotel I'm in is inadequate, and I'm having to use my phone as a hot spot, which means it's taken hours longer to edit and caption my pictures than it should, and every link in this post is the product of minutes in waiting. My Lord, what did we do before there was wi-fi?

2022 KC/MI Wander: Day 10

 

This is Part 8 of the blog post documenting my epic wandering around the middle part of the country. You really should read them in order. To that end, here's a link to Part One. At the bottom of each post, click the link for "Newer Post" at the bottom. And here is a link to ALL the pictures I took on this trip. Viewing them will require that you scroll through God knows how many pictures of parts of old cars, so you might want to just skip that altogether.

My first stop this morning was for breakfast, at the Red Apple in Dixon, Illinois. Good food, good service, good prices, and the place was clean. The only problem was that, since I had started my Google Maps instructions directly from my motel (in the email I'd sent myself) but actually started the drive from the restaurant, I seemed not to be on the right route. But once I followed the directions to the point where the two routes converged, everything was okay. 

Technology. Arrgh. I'll say no more.

Miners' monument

So I followed my planned route first to the memorial for the 289 miners who died in a mine fire in Cherry, Illinois about 120 years ago. The monument stands on the mass grave of the men and boys who died that day. They were mostly Italian-Americans, so half of me felt a sort of bond. 

Starved Rock

After that, I went off to Starved Rock State Park, along the Illinois River.  Pontiac was a chief of the Ottawa (or Odawa) tribe who was murdered in 1769 by people from the Illinois tribe. (He, like Black Hawk, also has a war named for him, but that plays no part in this story.) The Illinois indians had a village near the Illinois River; that village was attacked by the Ottawas (and their allies, the Potawatomis) in revenge for the murder, and its inhabitants took refuge on a high bluff overlooking the river. Rather than come down and be massacred, they slowly starved to death on top of their rock. That gave the rock the name Starved Rock, and it's now the centerpiece of a State Park.

When I got to the park, I followed the signs for the Visitors' Center. I turned off the park road into a vast parking lot, nearly empty except for lines of port-a-potties. I tooled around the lot, saw nothing that looked like a visitors' center, then made a driving tour of the rest of the park. River Area; Lodge; Campgrounds; Overflow Parking Areas (several of them). Still saw nothing, so I went back to the original location. This time I saw it, hidden behind the first row of port-a-potties and a bus. So I parked and went up to find out where Starved Rock was. There was a map in a signboard that told me it was an "easy paved path with two staircases" and a little over half a mile's walk.

view from the rock

It turned out that that "easy paved path with two staircases" takes you up to a boardwalk that goes around the rock. It has nice views of the river, but otherwise is nothing worth seeing. Oh, and those staircases? Five stories' worth.

While I was up there, I noticed a belvedere on the next bluff, not too far away, from which I figured I could get a decent photo of Starved Rock. So off I went. Got up there, got my picture, came back down. Just for fun, I counted the steps: 303. That's three hundred and three steps up, and three hundred and three steps down, very slowly. I should have made that trek before I developed arthritis in my right knee. (Which, by the way, if I only have arthritis in my right knee, why is it that it's my left knee that always hurts? Just one of life's little mysteries.)

Naturally, I sweated up a storm. Good thing I'm by myself in the car.

As I drove to my next stop, in Pontiac, Illinois (named for the murdered Ottawa chief, not the car) I recognised that I was passing out of the pleasant rolling countryside and into the flat, boring, Indiana-style landscape, with straight roads and pointless stop signs. 

Once in the town of Pontiac, it was easy to find the Pontiac-Oakland Car Museum: it's right across from the courthouse. The town provides free wi-fi in the downtown area (that is, the blocks facing the courthouse; basically anywhere that's close enough to hear the uninterrupted Greatest Hits of the 1970s and 1980s that play from a series of speakers all around the courthouse). I decided to grab lunch first, something light, so I stepped into a restaurant on the corner. On the Specials board there was a listing for Chicken Pot Pie Soup, which sounded interesting; I like chicken pot pie. I asked the waitress about it; she claimed that the restaurant is "known for it," so I ordered it. (She did admit that she's "not a pie person" and has never tried it herself.) It wasn't bad, but an hour and a half later I thought I was going to be sick. Literally: I went to the public library and stood in the rest room waiting to barf. Didn't, though, so when the urge subsided I left. Did not feel 100% though for the rest of the day.

'57 Chevy Artcar

By the way, you might remember that some time back there was a craze going around the country for painting uniform sculptures to raise funds for various charities. I know in San Antonio we did cows. A town in Kansas that I went to did miniature Swedish horses. Somewhere I've seen buffalo done up in all kinds of arty ways and scattered around town, and I seem to recall a town that had armadillos; I don't remember where that was. And Winnipeg, Manitoba, did polar bears, so it was an international craze. Well, the town of Pontiac joined the craze by having artists paint ... Chevrolets. Go figure. 

The Pontiac-Oakland Car Museum is free to visit. That is the only thing in its favour. It's a fairly small space, and the display consists of only 16 cars, a few cases of Pontiac-related memorabilia, and a small gift shop. The information given about the cars ranges from none at all to the bare minimum. Most cars have a sign that gives the year and model, the number made, and the name of the owner. The rest have no signage at all. The museum makes no effort at educational purpose, despite having quite the impressive looking library in its space. Presumably all those books and papers contain information about Pontiac and Oakland cars. The displayed vehicles are shown in such a way that only a part of them can be seen. You can't walk around them at all. 

1978 Pontiac Phoenix Hatchback

Consider the 1978 Pontiac Phoenix Hatchback, set up with a tent exploding from its rear end. What does that look like from the back? Was it an available option for buyers of the car? (It looks like it might have been.) What would such a thing add to the price of the car? How many people sprung for the tent-thing? In 1978, the American auto industry was still recovering from the 1973 Gas Crisis, and the introduction of regulations requiring catalytic converters. I remember how crappy American cars were in those years. Hell, I owned one of them (a '76 Monte Carlo, which, despite its limitations, I loved). Did the '78 Phoenix manage to introduce anything innovative? (The tent was an oddity, but not an innovation; VW Microbuses had had tents built in long before, and I've seen similar things on cars going back all the way to the 1930s, if not before that.) 

Or the 1960 Pontiac Ventura. A beautiful car, displayed in the milieu of a service bay. Don't you know I'd love to be able to walk around and see what those back lights look like? How the fins are treated? The rear bumper, the trunk lock? Small things, and yes, I'm sure I've seen all those things before, on the many previous 1960 Pontiac Venturas that have passed through my life since that year. (My God, that's very nearly my entire life.)

And what the Hell is a Pontiac Firefly? Was it just so supremely unsuccessful that I never saw one, or knew of its existence in the world? And what's the relationship of Pontiac Motor Division to Oakland? Why do they share a museum? (I actually have some idea of that, but how many visitors to the museum don't?) How much effort would it take to answer these basic questions? Too much, it seems, for the Pontiac-Oakland Car Museum. 

I left, feeling actually pissed off that I'd gone so far out of my way to see that museum. Never mind the other places I went to; the car museum was my reason for what was in essence a half-day detour from where I'm going. And for sixteen cars and almost no information. (It certainly didn't help that, just yesterday, I'd visited such a large and well-presented car collection in Coralville, Iowa.) The fact that it was free to visit is small consolation for the time wasted.

I was almost out of cash, so I'd found a Chase branch close to my planned route, in a town near Joliet, and plugged that into my Google Maps route. (on the bright side, that detour got me 40 miles without a turn, so I could play the music on my USB for a while without worry.) It took me to the entrance of a subdivision six miles out of my way. I looked the address up again, put it in again, and this time it took me to the correct location, about a mile farther down the road.

Technology. Grrr. 

After that I made only one stop, to see a statue in Munster, Indiana. After having driven to that location, I have the idea that Hell is very much like the Chicago suburbs.

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2022 KC/MI Wander: Day 9

 

This is Part 7 of the blog post documenting my epic wandering around the middle part of the country. You really should read them in order. To that end, here's a link to Part One. At the bottom of each post, click the link for "Newer Post" at the bottom. And here is a link to ALL the pictures I took on this trip. Viewing them will require that you scroll through God knows how many pictures of parts of old cars, so you might want to just skip that altogether.

I should probably allot more time to car museums in my trip planning, or just not worry about it. Having missed out on seeing the Terrill Museum in DeLeon, Texas; the Heart of 66 museum in Sapulpa, Oklahoma; the Tulsa Museum of Art Deco; Howard's Toys for Big Boys Museum in Chanute, Kansas; the Museum of American Speed in Lincoln; the Schildberg Automobile Museum in Greenfield, Iowa (which may be out of business now); and the Kline Automobile Museum in Prescott, Iowa because of timing, I wasn't about to add the Antique Car Museum of Iowa to that list; so I went to Coralville, which required about 30 miles of backtracking, and checked into a hotel for the night (the same one, incidentally, that I stayed in when I was in Coralville with Rick years ago), and this morning I hung around the town waiting for the museum to open at 10AM. There is very little to do in Coralville, Iowa between 6AM and 10AM. I had breakfast and lots and lots of coffee, and played cards on my computer and read Makers and Takers, a book about the negative effects of the financial industry on American business. I was there when the museum opened; no surprise.

an exception: a 1903 Cadillac Runabout

There's plenty of two-hour on-street free parking in the area of the museum. After two hours I had to go out to move my car. I was in the museum, all together, for three hours. It's fairly large, and has 86 cars on display, arranged more or less chronologically. About half of the space is given over to cars from before the Great Depression, many of which I've never heard of: Holsman; Sears (yes, you ordered it from their catalog); Economy Motor Buggy; Haynes-Apperson; Brush; Demot; Maytag (the washing-machine company tried making cars for a while); Haynes; Whippet; Gardner; Velie; Elmore; National; and Milburn Electric. (The museum provides a list of all the cars on the floor.) And of the cars I have heard of, there were many models I had never seen before. (I hardly took any pictures of the older cars; most of them look alike to me. My interest is mainly in styling, which only began to matter in the mid-to-late 1920s.) Having the cars arranged chronologically made it easy for me to trace developments in early design -- for example, fender fairings, wheel design or standardizations that we take for granted now, like left-hand drive.

Cautionary tale

The museum itself only owns about eight of the cars; the rest belong to people in the area who lend their vehicles for display. While many of the cars are beautifully restored, a number of them are in less than pristine condition, including one Model T that had a tree land on it during a recent storm. It's there, tree limb and all, as a cautionary tale. A number of them seem to be mid-restoration; for example, one vehicle had a front seat that had clearly been restored, while the back seat was just springs. I found the contrast interesting. 

All of the cars were American-made, except for a 1939 Hanomag (German) and a 1964 Volkswagen Beetle (also German). (They were there to make a particular point, but I forget now what that point was.) Because the cars were arranged chronologically (with a few exceptions), and because I could walk all the way around almost every one of them, and because each car had a very informative sign associated with it, I thought this museum is one of the best I've seen at presenting automotive history. Many of the signs go into the history of the manufacturer, which is particularly useful in promoting understanding of the early days of the industry, when it was kind of a Wild West business (like the phone business in the 1980s, or cellphones or internet service in the 2000s). Carmakers merged, or got bought out, or just folded with such regularity and rapidity that it's often hard to know who the players were. 

When I finally tore myself away from the museum, I headed off to Jones and Clinton Counties, and so I have now visited all the counties in Iowa. That makes 36 states that I've finished with; and if I stick to my trip plan, that number will be 39 before I get back home.

The terrain in eastern Iowa is pretty. Many of the roads are boringly straight, but there are enough that curve up and down hills and through river bottoms and woodlands to make me want to hug myself with the joy of driving. The same is true of Illinois -- and, frankly, of almost every state east of the Dry Line. (The only exception I'm aware of is northern Indiana, which is in its own category of boring.)

Mississippi River at Sabula, Iowa

For the drive from Coralville to the Mississippi River, I'd taken the precaution of emailing the route to myself last night. I'm not sure if that made a difference; I think it still needs an internet connection, but as far as I can tell I had 4G service the whole time today. And I avoided technology issues with my audiobook software by not turning it on. I drove in silence all day, and found it relaxing in a kind of 20th-Century way. I may never turn the radio on again; at least, not while I'm using GPS.

The Black Hawk Statue overlooking the Rock River

I stopped in Oregon, Illinois to book a hotel down the road and to visit the so-called Black Hawk statue in one of the state parks in the area. The statue isn't actually intended as a representation of Black Hawk -- a chief of the Sauk and Fox tribe who refused to leave after other chiefs gave up tribal lands in the early 1800s. The 1832 war to evict him and his followers -- the Black Hawk War -- saw a young captain of volunteers named Abraham Lincoln posted to Dixon, a town 20 miles or so south on the Rock River. In the early 1900s, a monumental statue of a generic Indian was built at Oregon, while some time after that a lifesized bronze statue of a young Abe Lincoln was erected at Dixon.

Lincoln

Both sides' heroes are represented, one realistically, one romantically.

I had intended to stop at another state park near Oregon, a place called Castle Rock. I drove right past it. I had forgotten to check my plan on RoadTrippers, and was distracted by the beauty of the Rock River on the left-hand side and by a tailgater in my rearview mirror (until I flashed my rear fog lights; he backed off then). I thought about going back to it -- it's only about 15 miles. But I only had it as a stopping place because it's supposed to give a grand view of the river, and I feel like I got that just from the road. So, no; not going back. Instead I will go on to Starved Rock, which is ahead of me. I'm also going to skip the Ronald Reagan Boyhood Home, the John Deere Historical Site, and the John Deere Home, because, frankly, I'm not sufficiently interested in those places to actually go to them. 

I checked into my motel (on Bloody Gulch Road, of all places) and found a place for dinner called The Corner Spot Bar & Grill. Ever since I started travelling in the upper midwest, I've found that places called "Bar & Grill" have a certain old-world atmosphere about them. Before I started going to them, I thought they were, you know, just bars. But up here in the North, they're more like quaint, unpretentious taverns where you can get a beer or a whiskey with your meal. So I purposefully looked on line for "Bar & Grill". The only one listed locally is an expensive restaurant at a country club. So I just looked for "Bars" and found several listings, all of which had food. I picked one that seemed a likely candidate for the kind of ambience I was looking for -- the kind of place that would be at home on McKay Avenue in Spring Valley, Wisconsin, or along the highway in Trempeleau. 

The Corner Spot was not that kind of place. It was a generic sports bar. But it had friendly staff and reasonable prices (and all orders come with unlimited salad bar -- my first vegetables in a while, I think), and they put a soccer game on for me. Sadly, it was perhaps the dullest MLS match of the past 25 years, between Philadelphia Union and Atlanta. Every time I looked up at the screen, play was stopped for a foul or an injury; and every time I looked away, somebody scored. And the pace of play seemed slow. It did not make me think, Gee, I should watch more MLS. 

I ate too much for the first time on this trip.

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2022 KC/MI Wander: Day 8

This is Part 6 of the blog post documenting my epic wandering around the middle part of the country. You really should read them in order. To that end, here's a link to Part One. At the bottom of each post, click the link for "Newer Post" at the bottom. And here is a link to ALL the pictures I took on this trip. Viewing them will require that you scroll through God knows how many pictures of parts of old cars, so you might want to just skip that altogether.

I wonder why there aren't more motel rooms in places like Percival, Iowa. There are, it appears, only two motels in this town, which seems to consist of those two motels and two truck stops and a few fast-food restaurants. Both of the motels in Percival are fully booked, even though the room rates are pretty high. (The rates in Nebraska City, a few miles away, are positively exorbitant, even though there are lots of motels over there. That's why I'm in Percival and not Nebraska City ... well, that, and because there's a water tower in Percival that looks like a teapot, and I found yesterday evening that it's real pretty at night, all lit up with red neon.) (My sunrise pictures of the water tower from this morning are much better than the pictures from last night; although you still can't really tell that it looks like a big teapot. The red rings on top light up in succession, and it says "Sapp Bros" on the sides in huge letters. My pics are all taken from the handle side.)

Today was mostly supposed to be all about county-counting, but a good bit of it was about the failure of technology. I've already ranted about it over the phone to Sherry, so here I will just say that technology that depends on an internet connection is of very limited use in places like southern Iowa. And that includes Google Maps and Libby, the app I'm using to listen to audiobooks (or trying to, anyway). I got 8 of the 10 remaining Iowa counties today; I would have missed one because of the failure of Google Maps, but I thought to check where, exactly, the county was in relation to the highway. I really would have been pissed if I'd gotten to my hotel for the night and then discovered the omission.*

There were four counties in southwestern Iowa that I hadn't been to. The only point of interest in any of them was Johnny Carson's birthplace, in Corning (Adams County). It was $10 to go in, which is way too much for such a trivial place. Besides, he grew up in Norfolk, Nebraska, and that's the place he considered his home; this is just where his parents lived when he made his first entrance.

While I was stopped for a break at a convenience store I got into a conversation with a local woman who used to be the city clerk for Gravity, Iowa, in Taylor County, the last of those four. She told me about the town sign; said she saw it every day for years and never got the joke until one day it suddenly dawned on her, and ever since then she can't think of it without laughing. So I made it a point to go that way and see the sign myself.

It is kind of cute.

After that, it was a looooong slog across the state on Highway 2, from west to east, until I got to the remaining batch of counties, more or less along the Mississippi River. The only point of interest I found there was the Louisa County Swinging Bridge. It crosses a gorge in a park in the town of Columbus Junction. You can access one end of it just above the parking area, or you can access the other end by taking a trail that goes down into the gorge and then up the other side to the bridge. I chose to take the trail.

Two things about the trail: first, it's very narrow, about 18" wide on average, and fairly steep. Steps have been put in at a number of spots to help, and the drop-off is generally not great, but I would not want to be on that path after a rain. I'm sure it's very slick. The second thing is this: the path is lined with signboards containing pages from a children's book about an alligator. The book didn't make any sense to me; it seemed to tell the story of how the friendly alligator went from owning a restaurant for his friends the birds, to eating the birds. A really unpleasant story, not something I'd've wanted to read to my son when he was a child. But in the end I realized that the story is arranged to be read starting from the other end of the path: the lazy alligator opens a restaurant to trick the birds into eating in his mouth, but then he becomes friends with the birds. That's a much better children's book.

Louisa County Swinging Bridge

The bridge itself was pretty terrifying, but I made it across. It swings back and forth and it tips sideways like Galloping Gertie in the 1940 film of that bridge's collapse.

That's pretty much the whole day. Fortunately the scenery in Iowa, even in the ordinary places, is verdant and attractive, and the temperature today topped out at 86 degrees; and I don't think I saw a single cloud all day.

I'm in Coralville, Iowa tonight; there's a car museum here that opens at 10AM that I plan to stick around for; then I'll drive through the last two Iowa counties on the way to Illinois and Indiana, and on Thursday I should get to Michigan. I don't know how long it'll take me to do all the wandering I plan to do there. As you might imagine, I'm somewhat averse to that level of prediction.  

* I also have complaints about my phone's bluetooth, my phone charger, and my car's new stereo. Don't ask.

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2022 KC/MI Wander, Day 7: the wandering resumes

 This is the fifth installment of the blog post documenting my epic wandering around the middle part of the country. You really should read them in order. To that end, here's a link to Part One. At the bottom of each post, click the link for "Newer Post" at the bottom. And here is a link to ALL the pictures I took on this trip. Viewing them will require that you scroll through God knows how many pictures of parts of old cars, so you might want to just skip that altogether.

The morning dawned, as I'd hoped, with a blue sky and only a few light clouds. So nice when you order something from Amazon and they get it right! So: top went down. Idiot light comes on: "Convertible not latched." Sure enough, the latching mechanism was stuck in the "up" position. I had thought that the noise the mechanism makes had sounded somehow different: it was that the motor had kept whirring and the clickety-clack of the latch retracting had been missing. 

Okay, I thought as I put the top back up, that's it; I'm going home. Forget Michigan. Who needs it?

Then I thought, what the hell, so I put the top down again. It worked perfectly. I guess it's like restarting your phone when Google Maps freezes (like it's done twice now on this trip). 

Plugged in my first stop: the Wilbur Memorial in White Cloud, Kansas. I had changed the trip settings and allowed freeways, so it took me straight up Interstate 29 to St Joseph, Missouri. Told me to exit at US Highway 36, which I did. That is the only bridge across the Missouri river for many miles in either direction. Unfortunately, there was some kind of oversized load broken down on the bridge access and a line of vehicles (mostly trucks) that stretched away for as far as I could see. I figured there must be some other way, so I went the opposite direction, got down into the town, and checked the map on my phone. Sure enough, there was an access to the bridge from the southbound side that would put me beyond the broken down vehicle. So I went about a mile and a half up the road until I came to a street that would take me to the southbound side of I-29; cut over and got on the freeway again, and immediately exited for US 36 westbound. 

The ramp that goes from I-29 southbound to US 36 westbound is under construction, and there's a detour.... Guess where it takes you.

Fortunately, the oversized vehicle had moved and the traffic was clearing. So I like to think that I spent the delay seeing something of St Joseph, Missouri. A charming town, I'm sure, with its Pony Express Museum and the home of somebody famous.

When I got to White Cloud, my GPS took me to a vacant field where some guys looked to be setting up for a yard sale. They weren't from here, and while they were surprised and interested in my story about a pig monument, they had never heard of such a thing (to use their words). So I asked at the post office. The clerk wasn't from here either, and she suggested the "water people" across the street. Those women were locals and knew immediately what I was talking about, and told me it was across the street at the next corner, in front of the church. And so it was.

Pig Monument

Local boy Wilbur Chapman owned a pig, named Pete. He "adopted" a leper, and sold his pig to raise money to help. The newspapers got the story and it went viral (in the 1910 equivalent). The result was that banks across the country started handing out Pig Banks to children to help them save their money, and that's how piggy banks got started. (I did not know that.) The writer E.B. White heard about Wilbur as he was writing his classic children's novel, Charlotte's Web, and named the pig in that story after the boy.

As one source put it, Pete the Pig got nothing out of all this. He was, presumably, slaughtered and eaten.

My next planned stop was the boyhood home of Harold Lloyd, famous silent film comedian, in Burchard, Nebraska. He was one of my favourite movie actors when I was in college. I remembered (for the first time ever) to download directions in case of poor cell signals. Unfortunately, that didn't help. The directions wanted to take me down a gravel road, and I couldn't get it to alter that plan. Having no paper maps to fall back on, I had to go by vague memory and dead reckoning. When I came to a town where there was a signal, I looked it up again and verified I was going the right way. Got to the town and had no signal so just had to guess where it was. I had seen it on the map about a month ago, & remembered correctly: 4th & Plum Streets. Well, it's a tiny town, population 82, so how far astray could I have gone? 

A sign on the door said to call So-and-So for a tour, and gave a number. Unfortunately, I had no cell service, so all I got was a picture of the outside.

And with no signal, I couldn't pull up directions to my next destination on my phone. So again I had to go by those month-old memories of what the map looked like as I was planning the trip. Again, I remembered right, and when I got a signal, about 10 miles down the road, I was able to verify that I was going right. Followed the GPS from that point until I came to a sign that said "Road Closed." Having no real alternative -- the place I was going was on that road -- I went around the sign. Continued for a mile. By now I had no signal again. Came to a stop sign, and another "Road Closed" sign. Continued up over the next hill, and this time the road actually was closed. So I turned around, and found a sign directing me down a side road to my destination. (There had been no such sign coming the other way.) My GPS kicked in again as I got to the entrance of Rock Creek Station State Historical Park, and guided me through beautiful woodlands down to the creek bottom ... where there's a picnic table and a bathroom. Well, opportunity knocks and I answer.

Then I head up the hill, ignoring the GPS's exhortation to make U-turns every few yards, and I located a visitors' center farther along in the park.

Rock Creek Toll Bridge

Rock Creek Station was a way-station (called a "Road Farm") on the Overland Trail, a stagecoach line, and briefly a Pony Express station. A guy named McCanles owned the property. He farmed the western part, and rented out the eastern part to the stage company. He also built a bridge across the creek, and passing settlers would gladly pay the toll (ten to fifty cents, depending) to avoid having to ford the creek. 

The Overland Stage company's manager didn't make the rent payments timely, so one day McCanles and his son Monroe, aged 12, along with two other men, employees Woods and Gordon, went over to collect. The manager refused to come to the door, sending first his wife and then his hired hand, a hothead named Hickok. Long story short: Bill Hickok ended up hiding behind a quilt wall and shooting McCanles from his hiding place. Woods and Gordon, who had been doing other business over at the toll house, came running at the sound of the rifle, but Hickok shot Woods while the stage company manager, a guy named Wellman, bludgeoned him to death with a hoe. He tried to kill Monroe too, but the boy got away. Gordon got as far as the creek before he was done in by a shotgun. Wellman and Hickok were both arrested and tried; Monroe, being only 12 years old, was not allowed to testify. That was the law at the time. Without his testimony, there was no evidence, so both men were acquitted. Hickok went on to live life large and become famous, until justice caught up with him in Deadwood, South Dakota. I don't know what became of Wellman. 

East Farm

Rock Creek Station was restored back in the 1980s, and except for the sign boards and the cleanliness of the buildings and grounds, looks pretty authentic. East Farm, where all this took place, is a pleasant fifteen-minute walk from the visitors' center. I spent most of my time over there talking to a young man who was weedeating; he was very glad for a break, and I believe pretty knowledgeable about the plants around there. I'd seen and photographed a bush with red berries or flowers on it, and he said it was poison sumac. Then we got into a long discussion of the flora in the area, and wandered around as he pointed out this and that and generally talked for half an hour about bluestem and cottonwood trees (pointing out a couple of trees that were in a photograph taken of the Station in the late 1860s and were still standing). 

I remember seeing how creeks cut right through the soil in the Great Plains around Scotts Bluff, in western Nebraska. Rock Creek is the same way. The ground may be more or less flat -- no mountains, anyway -- but damned if there ain't a 20-foot-deep gorge with vertical banks at every little creek in this area. If I'd been trying to cross the country in a covered wagon back then, I would have just gone back to New York.

(A propos of nothing: I just happened to glance out the window of my hotel room in Percival, Iowa, to see the reddest sunset I have ever seen.)

On leaving Rock Creek Station, I calculated that the car museum in Lincoln would be closed by the time I got there; all the other locations I'd planned to visit there are open 24/7, but none of them are important to me, so they can wait until Lincoln becomes a destination instead of a waypoint. I instead plugged in a planned site at Nebraska City, on the Iowa border: the monument to Where the Wagon Broke Down.

Where the Wagon Broke Down

This required a couple of miles on dirt roads to get to, but dirt's okay as long as it's in good repair. These roads were. I found the spot with no trouble.

In 1862 -- wasn't there a war on then? How did anybody have time for this? -- a self-propelled steam wagon (of Gargantuan proportions) was invented in Minnesota by Joseph R. Brown. It was built in New York City and transported by steam ship down the Ohio River and up the Missouri River to Nebraska City. It was to be driven from there to Denver. It was the "first self-propelled road vehicle ever used west of the Mississippi". It made it only about four and a half miles before it broke down, and was abandoned (I reckon because of its size). And for some reason people thought that would be the appropriate subject of a brass-and-stone monument. So there is a brass plaque mounted on a stone to memorialize the event. They are just desperate for history in Nebraska.

My next stop (and in fact my last stop in Nebraska, having gotten the two counties I was after) was at a Runza fast-food restaurant. My sister- and brother-in-law gave me a book recently called USA State By State, one of the resources I used in planning this trip. And the best thing about that book is that, for every state, it makes suggestions for local foods that are unique to the area. Well, some of those things I already know about. I've already had enchiladas in Texas, and po-boys in Louisiana. I tried scrapple in Delaware and Ranier cherries in Washington. But I would not have known about runza in Nebraska without that book.

I had a couple of runza shops marked on my route, but the last one (in case I hadn't already tried it in Rulo or Beatrice or Lincoln, was in Nebraska City; and it was suppertime when I drove away from Where the Wagon Broke Down, and I needed to find and reserve a room for the night, so I went to the Runza restaurant in Nebraska City. 

Runza

Runza is seasoned ground beef and cabbage baked inside a soft bread shell, kind of like a kolache from my favourite Czech restaurant in West, Texas. It proved to be so popular in these parts that the inventor named the restaurant after the food and started a successful chain. It now can be had with cheese, and I forget the other variation. They also sell burgers, but I don't know why; the runza roll or sandwich or whatever you want to call it is pretty damn good.

The only other thing I'd planned to see in Nebraska City was a Lewis & Clark Interpretive Center, which closed at 4pm, so I was too late for that. But it was one of those things that make it onto the trip plan just in case I feel like going there: one of those awareness locations that are easy to skip. I was not in the mood for Lewis & Clark anyway, and had no regrets about passing on it. Even with all the stuff I'm skipping -- all of Tulsa, all of Lincoln, lots of other places along the way -- I'm still roughly on "schedule" with this trip. Or, I guess, because of all the stuff I'm skipping. Being "on schedule" only matters because I have to be back in San Antonio by a certain date, and let's face it: there's nothing on this trip, absolutely nothing, that I have to see or do.... I could abandon this trip at any point, now that I've made my delivery; and I've been this close to doing just that at least twice now. Well, except for stocking up on moonshine in Ohio on the way back. I do have to do that. That is absolutely necessary....

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