This is Part 14 of the blog post documenting my
epic wandering around the middle part of the country. You really should
read them in order. To that end, here's a link to Part One. At the bottom of each post, click the link for "Newer Post" at the bottom. And here is a link to ALL the pictures I took on this trip.
Viewing them will require that you scroll through God knows how many
pictures of parts of old cars, so you might want to just skip that
altogether.
I did, in the end, manage to contact the people who run the British Transportation Museum in Dayton, Ohio, and arrange for a tour outside their normal Monday and Saturday hours, and I'm really glad I did. I got there just after 9:30 this morning.
I was a little late because, for reasons known only to itself, Google Maps had me get off the freeway north of town and drive south for about 5 miles on Dixie Highway, a four-lane city street that parallels the freeway, but with a red light every few hundred yards and, if it's possible, even more over-the-road trucks than the freeway. Then it had me get back on the freeway and continue south to downtown. Somewhere along the way (just south of Lima, about 90 miles back) the written instructions that normally appear at the top of the screen froze with the legend "200 yards Bellepointe Drive right turn, then turn left." But the audio worked and the actual map kept moving so I could follow the correct (or at least the specified) route. Until I got to downtown Dayton. The instruction there was, "In a quarter mile, take the interchange on the right." After that quarter mile, there were two exits, literally one right after the other. I chose the first one. Not, it turns out, a good choice. That took me out of the way, to the east. Google Maps rerouted me through a somewhat convoluted neighbourhood and got me back where I should be, but at that point the map itself stopped moving, so all I had was the audio. Fortunately, by listening carefully to the instructions and moving with unusual deliberation -- in case I missed a turn, I wanted it to have time to re-route and actually give me an oral instruction before I passed by the new turn -- I managed to get where I was going. And since I remembered from having looked at the map several times over the last few weeks that my destination was south of downtown and west of the freeway, I was somewhat confident that I was headed the right way.
I fantasize throwing my phone to the ground and grinding it under my heel, but I need it for other things than Google Maps.
So anyway: I got to the British Transportation Museum and met its director, Pete Stroble. He and I talked for probably 45 minutes before we started looking at the cars that were all around the floor. He told me the history of the museum, which has been going on a little over 25 years now. Its membership consists of people, mostly local, who are afficionados of this or that make of British car -- his personal love is the Morris Mini. Wright-Patterson Air Force Base, just northeast of town, brings a lot of people to Dayton who have also been posted to England and there developed an interest in British cars.
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an MG restoration under way
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This is not a pristine collection of finely restored gems of motoring. While there are some cars in top condition, most are in more ordinary shape. Unlike many museums, this one actually owns most of the vehicles on display. They get donated to the museum, and restored as time and money allow. Much of the work is done by various car clubs in the area; for example, I saw an MG coupe (it may have been a hard-top convertible) undergoing complete restoration by the local MG club. Its body panels have been removed and laid out on the floor prior to painting.
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MGB |
Elsewhere there are cars that leak fluids, cars that need brakes, cars that run and cars that don't. The museum -- "car-rich and cash-poor," Pete calls it -- does what it can when it can. There is a core of about a dozen guys with varying degrees of technical expertise (Pete himself is a retired engineer) who put out fires left and right and then devote themselves to particular projects until they're completed. As we went around the display floor, I heard about what they've done to this car, what they need to do to that car, and what they couldn't do with a car that is no longer there. One of the ways the museum raises revenue for the expensive work of car restoration is to fix up a car they don't need in their collection -- a donated vehicle of a type they already have on hand --restore it and then sell it. Naturally, the most common British vehicles are the ones that get fixed up and sold: MGAs, MGBs, Triumph Spitfires. Rarer cars, they keep.
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1960 Ford Consul
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And they've ended up with a fascinating collection of cars that are unfamiliar to me, along with some interesting examples of familiar cars. A bright yellow
Spitfire (a kind of car I nearly bought in the late 1970s) and a couple of bright red
Triumph TR-3s (one on loan, one owned by the museum); an
MG TD and a couple of rare MG saloons; a 1926 Rolls needing a lot of work; a 1936 Daimler that took part in the coronation parade for King George VI; and of course the cars I
always want to see, the Jaguars: only one
E-Type,
a 3.8, a couple of
XJ-6s. There were two
Humber saloons from around 1960, big American-style family cars that seem somehow out of place in England. A 1960
Ford Consul convertible also looks like it belonged on an American street in the Kennedy years. A 1960
Peerless GT that looks English to the core. A
Morris Oxford estate car ("all-steel," a big selling point in post-war Britain) and a pair of
Triumph Herald sedans, which I'd never seen before.
As we went around the floor, Pete shared all kinds of stories about the cars, pointing out things that I probably would never have noticed. How the door on an MG saloon is misaligned because the frame of the car is made of wood that has warped (still, it's a beautiful car); how the US Ambassador's 1936 Packard (with right-hand drive) ended up in their museum; how they came to have an old Vauxhall DHC, and what still needs to be done on it; and so on.
If I had just gone around looking at the cars on my own and taking pictures, I probably would have spent about an hour and a half in this fascinating museum. With Pete telling stories as we went, I ended up staying a full five hours without noticing the time. (On the downside, I often forgot to take pictures of the cars, or to note the details for my photo captions.) He may regret spending his day that way, but I thoroughly enjoyed it. Anything that makes me forget to eat lunch is a great experience.
When I left, it was with the thought that the weather in Cincinnati was going to determine whether I followed my planned route through the unexplored counties of Kentucky; but the persistent problems I'm having with Google Maps foreclosed that option. I can't trust the app to route me the way I want to go. So I just told it to take me home, and it showed me that I was 19 hours away. I got a paper map of Kentucky at a rest area on I-65 south of Louisville, and saw that, with a relatively short detour to the east I could still get the 3 counties in the middle of the state; it would probably add no more than an hour to the return trip. But what's the point? Those three counties are on the way to the other 5 I would need to finish the state, so I might as well wait until they're on my course. Likewise the two in Tennessee, although that would finish that state.... With my paper map of Kentucky I can plan out a route that gets me to those to somewhat remote counties. But then what? I can't count on Google Maps to get me to Memphis afterwards, and I have only the vaguest idea of how I'd get there on my own. So I'll likely skip that little diversion, too, and just stay on the goddamn freeway all the way home. I won't get there tomorrow, but might get to Dallas, and then home on Friday. Either way, there won't be anything to tell about the rest of the trip, so this is going to be the final post from the 2022 KC/MI Wander.